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“News: Down Beat Announces Scholarship Winners.” Down Beat 34:14 (July 13, 1967): 11.

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This bibliography supersedes those and is more comprehensive as well as more detailed.īelow is an article-by-article listing of the full contents of the issues that Morgenstern edited between July 1967 and July 1973. One of their features was a limited index of the previous year’s issues. They were not included with mail subscriptions and were only available at newsstands.

Though they are listed as issue 0, in fact, these do not have any volume/issue enumeration. The contents of the annual yearbooks are included. Standardized terminology such as “blindfold test”, “solo transcription” and “arrangement” allow users to immediately find all instances of such articles. Concert reviews have been assigned geographic locations that will enable the user to locate all instances of, say, “Baltimore, MD”. All record reviews give artist and album title. Reviews of records, concerts, books, and films have been analyzed. In the interest of convenience, full names have been added when article titles refer to an artist’s name incompletely or only with a nickname. This precision may be of value when the issue in question is not physically available to the user and interlibrary loan duplication is required.Įditorial brackets will be seen frequently. Rather than using abbreviations or only giving starting pages, the exact pages are supplied for each article. It is hoped that this full accounting of its contents will assist researchers in locating useful items. It is also virtually impossible to use such an index to grasp the issue-by-issue contents of the magazine (including the regular columns). By this time Down Beat, first published in 1934, was being indexed in The Music Index, but the current electronic version does not extend back this far. Issues of this vintage are fairly readily available in academic libraries and have also been reproduced on microfilm. Down Beat veterans were well-represented in Leonard Feather, Ira Gitler, Martin Williams, Stanley Dance, and others, and there were occasional contributions by a wide range of musicians that included Rex Stewart, Wayne Shorter, Chick Corea, Art Hodes, Carol Sloane, and John Benson Brooks. These issues also saw early bylines of names who later gained greater prominence: Gary Giddins, Bob Rusch, Michael Bourne, John Hasse, Brian Priestley, Bill Kirchner, Leonard Maltin, and Michael Cuscuna, to name but a handful. The late 1960s and early 1970s saw the deaths of important figures from all periods of jazz - Billy Strayhorn and John Coltrane (both 1967), Wes Montgomery (1968), Coleman Hawkins (1969), Johnny Hodges and Albert Ayler (both 1970), Louis Armstrong (1971), Lee Morgan (1972), and Willie ‘The Lion’ Smith and Kid Ory (both 1973) - that seemed to suggest the end of an era.

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There was also debate regarding newer forms of jazz, whether free jazz or fusion. This period of Down Beat was controversial, especially as the magazine expanded its purview into the realm of rock music. Naturally, the articles published reflect the state of jazz at the time, mostly focused on the United States, but with some international coverage. As can be seen, Morgenstern continued to write articles and reviews of records, concerts, and books during this time and he also contributed after departing as editor. editor of db in 1964 and succeeded Don DeMicheal as editor in 1967.” This bibliography covers only those issues for which he was editor. “Dan Morgenstern began his association with Down Beat in the early fifties not long after his graduation from Brandeis where he was editor of the campus newspaper. Prior to assuming the position of director of the Rutgers Institute of Jazz Studies, Dan Morgenstern was best known as editor of Down Beat magazine. Down Beat under Dan Morgenstern - A Bibliography Michael Fitzgerald Introduction